“As someone with a particular interest in flawed female characters, I’d love to have written any one of Gillian Flynn’s marvellous novels. Or anything by Megan Abbott – I am a huge fan of her work. I recently read This Dark Road to Mercy by Wiley Cash and was in awe for days afterwards. It’s a stunning novel. Tana French’s latest The Secret Place is another brilliant piece of crime fiction. If I could ever write a book that compares to any of those authors, I’d be really happy.”For the rest, clickety-click here …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
Saturday, February 14, 2015
Interview: Sheila Bugler
Wednesday, February 11, 2015
Essay: Steve Cavanagh on THE EXECUTIONERS
“First published in 1957 as The Executioners, this classic is one of many standalone novels from one of the greatest mystery writers that has ever lived.For the rest, clickety-click here …
“Lee Child’s Jack Reacher owes a lot to MacDonald’s Travis McGee series, and Lee has let it be known that he’s a huge fan of MacDonald. He is not alone in that – some of the world’s finest writers look to MacDonald with considerable admiration, writers such as Kingsley Amis, Stephen King and Dean Koontz.
“In Cape Fear, MacDonald paved the way for one of the most popular thriller formats, one that still dominates the bestseller charts today: take an ordinary family man, put him in an extraordinary situation and watch what happens. This is the modern-day territory of Harlan Coben and Linwood Barclay …”
Tuesday, February 10, 2015
Sideline: Greek Islands and Me
Once we’d crossed the central channel, we began curving sharply around to the south, the ferry picking up speed as we ran with the current and came around parallel to Delphi’s western shore. The coastline was unforgiving, a high rocky bluff crowned with thick forest, and I began to wonder if we’d need to anchor off-shore and take a tender to the island. Then, as we were passing a stubby promontory, the pilot pulled a ferry’s equivalent of a handbrake turn, throwing the wheel over and dragging a dull bellow of protest out the engines as he rammed them into reverse. For a moment we hung suspended in the current and then we slid easily into a tiny horseshoe bay surrounded on three sides by sheer cliff. The harbour was so calm that for a second or two, as we steamed towards the village tucked into a crevice in the cliffs, I believed we were going to ram the outlying buildings. It wasn’t until the first few houses began to waver and dance that I realized they were a reflection, the mirror-still surface unsettled by the wake pushed out under our prow ...For more on Monemvasia, clickety-click here.
Kee rolled the car down on to terra firma, up on to the pier. There she paused. On our left, tucked in under the sheer headland, was a large car park sparsely populated by cars, some of them under tied-down canvas coverings, along with a couple of small trucks and a handful of camper vans. At its entrance we found a topographical map informing us that Delphi boasted no more than a single road that was navigable by car, which encircled the island and hugged the coast all the way round. Otherwise the interior was essentially a steep-sloped pine-covered mountain accessible only by footpaths and hiking trails, with a single donkey path leading straight up from the rear of the village to a viewing point high on the cliffs above …
For more on THE LOST AND THE BLIND, clickety-click here.
Monday, February 9, 2015
Launch: MARKED OFF by Don Cameron
In the leafy suburb of Booterstown in the height of mid-Summer, the brutal and shocking murder of a local woman is the last thing that anyone expects. What is more unexpected is that this murder will only be the first of many. Inspector Danny O’Neill is led on a trail of false clues, lies, and corruption, where the only thing he seems to be able to find are dead ends.For more, clickety-click here …
As O’Neill tries to come to terms with a painful past of buried memories, we realise that this is more than just a hunt for a wanted man, it is a hunt for redemption.
In a tale of twists, turns, and sometimes sheer roundabouts, Marked Off tells the tale of a Dublin rendered frighteningly unfamiliar by the antics of a troubled and evil killer.
Interview: Anthony Quinn
“One of the biggest influences on me is Graham Greene. He was very good at bringing out the darkness in everybody as well as the light. PD James and Ruth Rendell are also influences. But I would say that Stuart Neville and Colin Bateman have influenced me in more subtle ways, in that they first took on writing about the Troubles and using detective fiction to do it. They knocked away my inhibitions in that respect.”For the rest, clickety-click here …
Sunday, February 8, 2015
Review: GUN STREET GIRL by Adrian McKinty
The fourth in Adrian McKinty’s award-winning series of police procedurals featuring Sean Duffy, a Catholic detective serving in the RUC during the 1980s, Gun Street Girl (Serpent’s Tail, €19.40), opens in 1985, as the news of the impending Anglo-Irish Agreement sends Northern Ireland into a turmoil of strikes, riots and violence. “How can you investigate a murder in a time of incipient civil war?” Duffy wonders as he attends the scene of what appears to be a professional double-killing of ‘civilians’. That conundrum is quickly left behind as Duffy finds himself investigating the possibility that the murders are connected to the theft of Javelin missile systems from the Shorts manufacturing plant, which may well implicate rogue members of an American secret service. The claustrophobic tension of the previous novels is replaced here by a surprisingly jocular tone, as Duffy resorts to absurdist humour in order to preserve his sanity in an increasingly bleak Northern Ireland. “Out here,” Duffy tells us, “on the edge of the dying British Empire, farce is the only mode of narrative discourse that makes any sense at all.” Gun Street Girl may well be a comically implausible tale, but its roots in historical fact renders it a superb satire of its time and place. ~ Declan BurkeFor the rest of the column, which includes reviews of the latest books from Colette McBeth, Antonio Hodgson and Dana King, clickety-click here …