“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Tuesday, September 6, 2016

Publication: THE PIGEON TUNNEL: STORIES FROM MY LIFE by John le Carré

I do love a good spy novel, and particularly those from the WWII / Cold War era – I’m especially fond of John le Carré, Helen MacInnes, Eric Ambler, John Lawton, Aly Monroe, Graham Greene and Len Deighton. Not that I’m any kind of expert on the spy novel – I’m happy to concede that I’m probably the only person who believes Alistair MacLean’s WHEN EIGHT BELLS TOLL is one of the finest spy novels ever written.
  Anyway, and speaking of the great spy novelists, I thoroughly enjoyed Adam Sisman’s biography of John le Carré last year, and I’m looking forward to le Carré’s own memoir, THE PIGEON TUNNEL (Viking), which is published later this week. Quoth the blurb elves:
‘Out of the secret world I once knew, I have tried to make a theatre for the larger worlds we inhabit. First comes the imagining, then the search for reality. Then back to the imagining, and to the desk where I’m sitting now.’
  From his years serving in British Intelligence during the Cold War, to a career as a writer that took him from war-torn Cambodia to Beirut on the cusp of the 1982 Israeli invasion, to Russia before and after the collapse of the Berlin Wall, John le Carré has always written from the heart of modern times. In this, his first memoir, le Carré is as funny as he is incisive - reading into the events he witnesses the same moral ambiguity with which he imbues his novels. Whether he’s writing about the parrot at a Beirut hotel that could perfectly mimic machine gun fire, or visiting Rwanda’s museums of the unburied dead in the aftermath of the genocide, or celebrating New Year’s Eve with Yasser Arafat, or interviewing a German terrorist in her desert prison in the Negev, or watching Alec Guinness preparing for his role as George Smiley, or describing the female aid worker who inspired the main character in his The Constant Gardener, le Carré endows each happening with vividness and humour, now making us laugh out loud, now inviting us to think anew about events and people we believed we understood. Best of all, le Carré gives us a glimpse of a writer’s journey over more than six decades, and his own hunt for the human spark that has given so much life and heart to his fictional characters.
  THE PIGEON TUNNEL is published on September 8th. For all the details, clickety-click here

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